The torso/body of the rocket was the rest of Mimosa Pale's performance. She erected and climbed an erotic obelisk, up to the sky of MVRE. After her performance i asked her, if i can use that torso for building a rocket out of it. She said YES!

The next days i worked on the obelisk body. Material was easily found in the bins on the street. Eventually Martin Kuentz installed solar-driven electronic devices.

Here in his own words: “The measurement instrumentation built into the projectile payload consists of a broadband high-frequency receiver for the detection of radio signals and networks for automated course correction during target acquisition. The receiver is able to indicate a high-frequency signal in a dynamic range up to 70 dB 0 ± 3 dB DC in its voltage output. A LED display indicates the dynamic variations in the target area of the rocket for testing purposes.”

The primordial Morgenvogel house has received a place of honor on the rocket.

Brendan Howell and Lars Künstler: The animation of the same soul quickening the whole frame, 2010 (praxinoscope). An experiment to make my "Rocketmädels" to move without any electronics. Photo: Peter Gesierich

The wood for the birdhouses was too wet, so we did need to let it dry (this kept for many days without breaking).

Ready Birdhouses (Morgenvogel-Haus) for the Berlin city birds.

Cables :-)

Drawing chair.

Micha Schroetter.

Me planning with Martin Kuentz.

Wolkenkuckucksheim, Lecture by Manuel Bonik and Dr. Andreas Schaale.

Egg-Mikrophones.

Manuel Bonik and Andreas Schaale after their talk (Andreas got hungry and ate his microphone).

Manuel Bonik and The Rocket, "Tannenbaum-Rakete M4PL".

The Birdhouse as an instrument, with foto of Kevin Merz.

Mimosa Pale playing saw.

Solar Birds from Martin Kuentz and me.

Installation with Solar Birds, they were singing even at electric light.

Solar Birds at window, changing their sound with the power of the daylight.

Midsummer Night’s Egg Tree Dream.